《日本當代藝術家影展 ≒ 會田誠》Near Equal - Aida Makoto 
分  級:

限制級

語  言: 日本\日語發音
片  長: 97分鐘
類  型: 紀錄片
導  演: 玉利祐助(Yusuke Tamari)
人  物:

會田誠(Aida Makoto)

東京藝術大學魔導師 日本最富爭議的鬼才
村上隆敬邀至法國巴黎聯展
所屬團體「昭和40年會」
席捲日、韓、巴西、西班牙、瑞士、德國

緊急加映:典藏創意空間四館 2011 / 12 / 27 (二)∼2012 / 1 / 7 (六)【典藏場次時刻表】
報名方式:單場150元/人,每場限額25人,皆須線上報名確認名額

洽詢電話:02-2560-2220 分機 356 / 371
備註:可持兩廳院預購票入場(需事先報名確認名額)/ 憑票於典藏咖啡館內消費9折優惠
(典藏創意空間四館:台北市八德路二段335號四樓,典藏八德店內)
上映日期:2011 / 12 / 2 (五)∼12 / 16 (五)【光點場次時刻表】   官方網誌:佳映娛樂部落格
預告欣賞:
影展藝術家介紹:草間彌生森山大道舟越桂天明屋尚
劇情介紹

他的世界沒有禁忌,罪孽也能清純絕美
  會田誠(Aida Makoto1965年10月4日生,日本當代藝術頑童,1991年出道便大展鋒芒,表現手法從學院派工筆到幼稚園兒童寫生,雜糅浮世繪和漫畫,創作觸角伸及寫真、小說、電影舞台、裝置藝術,題材涵蓋情色、暴力、戰爭甚至環保,手法大膽、嘲諷戲謔,被譽為「日本現實的報導者」,備受注目與爭議。
  本片是會田誠出道10週年紀念輯,以他超大幅的「人字計畫」創作過程為主軸,副線為他赴法國重建遊民紙板屋《新宿城》,並穿插他的搞笑婚禮、藝術家妻子岡田裕子分娩、還在「昭和40年會」電影作品《偶陰偶晴》中含淚反串。且看他於真人蘿莉的乳房上畫喬琪姑娘的大眼睛,卻不斷反思抗拒消費女性,本紀錄片最終達到主角看待所有藝術的唯一主題:「娛樂」。

會田誠精彩語錄
  我的作品裡充滿了妥協和讓步,不這樣賣不出去,盡是做一些媚俗的作品。
  我的創作以繪畫為主軸,用易懂、有趣的方式呈現給觀眾。
  與其和大家一起高唱愛與和平,還不如逆向操作吧,沒人期待我的作品有多悲天憫人,我是專門披露負面意識的角色。
  我不太考慮畫廊的事,99%的作品都不是為收藏家創作,我的作品是展示給一般大眾看的,雖然會購買作品的仍是個人,但考慮交易的問題只會造成創作思考的矛盾,我寧願不考慮畫廊或買家的問題。
  我認為藝術就應該只為藝術,要易懂,且能再現創作者的看法。
  藝術家也是在做記錄時事的工作,只是表達方式和記者不同。 ─ 會田誠

Near Equal - Aida Makoto

Director:Yusuke Tamari
Artist:Aida Makoto
Country:Japan
Language:Japanese
Run time:97 min
Release Date:2011 / 12 / 2

Synopsis:
Makoto Aida infuses his perverse sense of imagination with technical brillliance to produce bold and daring statements. He turns to drawing photography, sculpture, installations, novels and cartoons as various forms in which to explore his creative impulses.

Are you familiar with the giantic piece entitled "Giant Member Fuji VS King Gidora," inspired as much by manga as it was by Hokusai's wood block prints? Maybe you have come across the "Seppuku School Girls," female students who commit seppuku on the roadside, laughing all the while.

For his radical logic, he gained the reputation as a "Creator to be handled with care." In critical discussions of his work, the terms "vulgar" and "weird" are commonly used.
Despite his notoriety, he was one of the few artists chosen to represent Japan at the "Yokohama Triennial," an international assembly of contemporary artists in 2001. Subsequently, he was invited to Sao Paulo and Seoul to hold exhibitions and since then his popularity in the international art world has only increased. His artistic vision has expanded the framework of modern art and we can expect many more contributions to come.

"Near Equal Aida Makoto" focuses on Aida dotingly working on the "People Project." Another segment documents the resurrection of his piece "Shinjuku Palace" in Paris (it was first exhibited in the show "Coloriage" curated by Takashi Murakami but was removed due to complaints by the Tokyo Cleaning Bureau).

While documenting his artistic achievements, this documentary, put together from than 200-minutes of footage, catches glimpses of his private life--among them, scenes from his wedding and the birth of his first-born son. The narrative is carried along by commentaries centered around the question "What is the function of art?." In examining this timeless question, we get closer to completing the picture of the artist.

Makoto Aida! You're on fire!

 

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